![]() Neither Enterprise Ventures nor its staff assume any responsibility or liability for the accuracy of the information contained in this publication, whether in the form of summaries or analysis. Summaries are intended for guidance only and are provided on an as-is basis kindly refer to the source article in its original language prior to undertaking any action. Gothic cathedrals displayed colorful interior decorations through stained glass and inscribed with descriptive images, while ancient Egypt’s monuments were decorated with elaborate hieroglyphs.Įnterprise is a daily publication of Enterprise Ventures LLC, an Egyptian limited liability company (commercial register 83594), and a subsidiary of Inktank Communications. The Gothic architecture of the 12th-16th centuries may seem a world away from the architecture of ancient Egypt, but in the case of each, their sacred constructions took considerable resources and top priority, leaving very few traces of civic buildings from either era, according to WideWalls. Similar approaches can span thousands of years. Putting the sacred at the center of construction was also a priority in 12th century Europe, where Gothic architecture, like the Notre Dame Cathedral in Paris, also stretched to new heights. The towering pyramids of Giza were among other things a bid to construct a passage to the skies, to be closer to the gods. ![]() So they built upwards, towards the source of their worship. Some were rebels with a cause: Contemporary Neomodernist works like Zaha Hadid’s Heydar Aliyev Centre in Azerbaijan and Frank Gehry’s Guggenheim Museum in Bilbao are less concerned with Modernist concepts of functionalism than pushing the bounds of technologically-driven “freeform design,” according to ThoughtCo.Īnd some reached for the skies: Ancient and Gothic architects held religion as a focal point in the buildings they constructed. The Palace of Versailles in France, which is embellished with dramatic ornaments and bold accents, embodies this reactive cultural evolution. It shows a cultural transition from the overtly rational style of its Renaissance-era predecessor to a more playful and leisurely view of the world, according to WideWalls. Baroque style is known for its decorative extravagance. Other movements preferred ornamental playfulness: A less disciplined and dogmatic approach to design can be seen in the 17th century Baroque architecture of France and Italy, as well as contemporary architectural movements like Neomodernism. This was all underpinned by a desire for order and rationality, as was ingrained in Ancient Greek and Roman cultures, according to ThoughtCo. These well proportioned buildings were reminiscent of earlier styles of classical architecture that relied upon the use of columns to balance natural errors in human sight. Peter’s Basilica in the Vatican and Villa Rotonda, near Venice, that the prevailing cultural values of order and logic were visually displayed. It was through the use of pillars and facades, like those seen in St. They were guided by theories of rationality and realism, according to WideWalls. The Renaissance era put a premium on proportion and symmetry: Architects working in 15th century Italy developed and followed a design principle that combined mathematical precision with a strong aesthetic sensibility. Architecture is an expression of values, and so its history is essentially a roadmap of the values and principles prized by social groups at different points in time.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |