He said, "Wow, putting their names together seems apropos!" Nevertheless, through the years, I have grown to enjoy "Speed 2," especially when it airs on AMC or FX cable in an extended version that reinserts additional scenes, not included in the theatrical version, back into the story. I wondered at the time, "Had Colleen Camp done something to cause the director to edit her out of the movie?" (Impossible!) The other thing I remember from my first viewing of "Speed 2" was the joke my brother made when Colleen Camp and Lois Chiles's names appeared on the same title card during the main title sequence at the end of the movie. I could hear her voice in the background throughout the movie, especially during very busy and crowded scenes with characters running around in a panic, but she was nowhere to be found, as the aforementioned clumsy editing and camerawork made it difficult to follow what was going on in the movie. I was glad that Lois Chiles had a decent amount of screen time, but I kept straining my eyes to find Colleen Camp in the movie. She and Jason Patric had no chemistry together. I was surprised at how slowly-paced the movie was, and how annoying the normally likeable Sandra Bullock was. The jerky camerawork and choppy editing made the movie hard to watch at times. It didn't seem at all like a worthy sequel to what was a very exciting movie. I remember being shocked, when I saw "Speed 2" on opening night, at how confused and incoherent the movie was at times. ![]() (I never got to interview Colleen Camp because she seemed to have a very busy schedule.) So I had reason to expect the movie would be good. Camp told me that Chiles had a good part playing the mother of a deaf girl and that she learned sign-language for the role. I asked her about "Speed 2" and she energetically told me that Jan De Bont was a "phenomenal" director and that she had "a nice, medium-sized part." I asked her about Lois Chiles's role in the movie and Ms. I phoned her to introduce myself and was greeted with a very enthusiastic and fast-talking individual. The next time I spoke with Dave on the phone, he gave me Colleen Camp's phone number to call. ![]() ![]() Camp all about how I was a big fan of hers and he convinced her to let me interview her for an article about her career. Dave, ever the person to seize the moment, told Ms. A friend of mine from college, Dave King (God rest his soul), was temping at Tom Rothman's office at 20th Century-Fox one day when Colleen Camp called the office. I even had an unexpected phone conversation with Colleen Camp a few months before the movie premiered. Back in the summer of 1997, I was looking forward to seeing the movie for genuine reasons because I had enjoyed the original "Speed" (1994) immensely and also because two of my favorite actresses, Lois Chiles and Colleen Camp, were featured in the supporting cast. The film's action was a little more grounded than the Fast And Furious series, but despite some exciting car chases, it was let down by tepid drama and failed to impress domestic audiences or critics alike.One of my favorite "bad" movies is "Speed 2: Cruise Control" (1997). After Breaking Bad launched Aaron Paul's career, the actor was chosen to lead the cast of this big-budget adaptation of the EA game series, with a supporting cast that included Imogen Poots, Dominic Cooper, and Michael Keaton. The genre has yet to produce a truly fantastic movie, however, and 2014's Need For Speed did little to elevate the genre. The critical reputation of video game movies or TV adaptations is getting a little better, thanks to the success of Netflix's Castlevania or Detective Pikachu. The film was a flop and further duds like Street Fighter and Double Dragon followed, though 1995's Mortal Kombat is still a B-movie gem. ![]() The first attempt was 1993's Super Mario Bros, which suffered through a messy production and swapped out the cheerful tone of the games for a dark, dingy Blade Runner look. Will Aaron Paul rev up again for Need For Speed 2? From the very beginning, video games have been proven tough to successfully adapt into movies.
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